Showing posts with label fashion design. Show all posts
Showing posts with label fashion design. Show all posts

Sunday, January 16, 2011

29 Famous Fashion Designers Sketch Wedding Gowns For Kate Middleton.




In the December 15th issue of WWD, numerous designers were asked for their wedding gown design suggestions for the upcoming nuptials of commoner Kate Middleton to HRH Prince William of Wales.


above: Kate Middleton and HRH Prince William of Wales. Her engagement ring, the large sapphire surrounded by diamonds, is the one Prince Charles gave William's mother, the late Princess Di (Lady Diana Spencer).

Well-known couture wedding gown designers like Monique L'huillier, Badgley Mischka, Reem Acra and Vera Wang, fashion design houses such as Gucci and Chanel and even J.Crew submitted sketches (all shown individually further down in this post).



The only Brit to submit a design was Elizabeth Emanuel, who, with her then-husband David, designed Diana Spencer’s well-known fairy-tale wedding dress in 1981.

Below are all the 29 design sketches, shown in alphabetical order.

Alberta Ferretti:

“...In Kate I see the natural, radiant and self-confident attitude of today’s girls. For this, I can’t help but think of an embroidered, fluid-silhouette dress in precious fabrics that will help her make an everlasting impression.” — Alberta Ferretti

Badgley Mischka:

"We see Kate going completely classic. We love this off-the-shoulder silhouette for her. Her beauty and grace will make any gown look magnificent.” — Mark Badgley and James Mischka, Badgley Mischka

Ralph Rucci, Chado Ralph Rucci:

"White tulle veil to floor…satin bodice and cardinal hat…huge silk tulle gown with pinches, like ostrich pores…all embroidery in freshwater pearls — no glitter.” — Ralph Rucci, Chado Ralph Rucci

Chanel:

Karl Lagerfeld suggests a Chanel take on “the Victorian wedding dress, with a twist — high boots and open in the front.”

Chris Benz:

“I think she represents a new freshness to the monarchy, and it is up to her how modern she wants to shape her role. I think taking risks with a confident, colorful spirit is where it’s at with the royals.” — Chris Benz

Christian Lacroix:

“Something old: Victorian skirt. Something new: patchwork gown. Something borrowed: Queen Elizabeth’s veil. Something red: Elizabethan top, as red was the wedding color until 1900!” — Christian Lacroix

Doo-Ri Chung, Doo.Ri:

“I wanted Kate to look regal, but romantic, so I used chiffon and lace to evoke tradition, but gave her a romantic off-the-shoulder detail.” — Doo-Ri Chung, Doo.Ri

Elizabeth Emanuel:

“It’s entirely different from the Diana dress I designed, which was very much of the Eighties, but it’s still fitting for a royal occasion. It’s a much more modern dress, but romantic and out of the ordinary.” — Elizabeth Emanuel

Frida Giannini, Gucci:

“I admire the balance Kate Middleton strikes between elegant and contemporary with her unmistakable style. For her, I had in mind clean lines, soft shapes and classic touches such as the boat neckline and distinctive train.” — Frida Giannini, Gucci

Gilles Mendel, J.Mendel:

“On the royal wedding day, I envision Kate Middleton in a fresh, modern silhouette emphasizing her elegance and beauty in a youthful way.” — Gilles Mendel, J.Mendel

Jason Wu:

“I love the idea of mixing traditional opulence with a very clean aesthetic for this modern-day princess.” — Jason Wu

Tom Mora, J. Crew:

“I think that there will be so many comparisons to the late Princess Diana that her dress should almost be the opposite of what Diana’s was — modern, simple and very elegant.” — Tom Mora, vice president of wedding and special occasion, J. Crew

Kimberly Ovitz:

“I wanted her to wear something as minimal and spare as possible that brought out her natural beauty. Less is more.” — Kimberly Ovitz

Lela Rose:

“Kate tends to wear a very elegant and clean silhouette, so I think the lines of this dress would suit her style. The understated tiers play up her youthful and romantic appeal.” — Lela Rose

Lyn Devon:

“Sporty separates in handmade lace and silk taffeta for Kate: a lace T-shirt worn over a drop-waist taffeta ball skirt made of endless meters.” — Lyn Devon

Angela Missoni:

“This dress was designed to enhance Kate Middleton’s beauty through precious fabrics. The clean and contemporary lines, never redundant and beyond all specific stylistic periods, give her an eternal image of grace and elegance.” — Angela Missoni

Monique Lhuillier:

“The royal wedding will be magical. Kate’s dress should be a modern mix of the traditional and contemporary.” — Monique Lhuillier

Nanette Lepore:

“A patchwork lace dress reminds us all that a true princess can mend and make do!” — Nanette Lepore

Nicole Miller:

“I think no poof and froufrou. Elegant with a modern twist. A little sexy, but also modest.” — Nicole Miller

Peter Copping, Nina Ricci:

“Light as a feather, layers of lace and organza…a dress fit for a princess.” — Peter Copping, Nina Ricci

Prabal Gurung:

“The look is regal with respect for the heritage of the royal family but represents what modern Europe is all about.” — Prabal Gurung

Rachel Roy:

“For Kate I love to showcase the British tradition with a wonderfully beautiful, yet modern hat worn under a full-length veil with a deconstructed cascade train balancing the formality.” — Rachel Roy

Rebecca Taylor:

“The A-line silhouette of this dress is elegant and sophisticated, similar to Kate’s style, but the floral appliqués and corset top add a youthful feel. Fit for young royalty.” — Rebecca Taylor

Reem Acra:

“Kate is a young beauty about to become a royal. She is very confident and knows her style. This gown has a long train, veil and a touch of embroidery, which adds drama, but the A-line silhouette is simple. It’s regal and sophisticated.” — Reem Acra

Tommy Hilfiger:

“Kate has a sophisticated yet playful and modern look, so for her wedding she’d be a vision in a mix of traditional, whimsy and classically beautiful.” — Tommy Hilfiger

Tory Burch:

“Kate would look beautiful in a simple, elegant silhouette — a delicate ivory lace bodice and tulle skirt with a blush lace train.” — Tory Burch

Maria Grazia Chiuri and Pier Paolo Piccioli, Valentino:

“We designed a ‘blossoming’ dress because we imagined her as a new Botticellian Venus.” — Maria Grazia Chiuri and Pier Paolo Piccioli, Valentino

Vera Wang:

“...The tradition of intricate hand-pieced lacework in the high-necked bodice with elbow-length sleeves, together with the voluminous skirt of a mixture of stiff and soft silk tulle, feels regal, yet poetic.” — Vera Wang

Yigal Azrouël:

“Stately and sophisticated, but also a modern-day wedding gown for a young princess. Its elongated silhouette combined with the lace and draping of the skirt is glamorous and elegant, while the neckline and bodice remain modern.” — Yigal Azrouël


Via WWD
All Photos by Courtesy Photo

Friday, January 14, 2011

TIA Lingerie Design Winners & Finalists Modeled By Helena Christensen



above: Morphology by Nikolay Bojilov was the International Winner of the 2010 Triumph Inspiration Award (TIA)

Triumph International, one of the world's largest underwear manufacturers, kicked off last Fall's London Fashion Week with a star studded catwalk show led by young designers, for the international final of the Triumph Inspiration Award 2010.



The event was hosted by Actor and Dancer Adam Garcia, and judged by the fashion industry’s crème de la crème – Supermodel, Helena Christensen; Photographer, Rankin; British Fashion Designer, Matthew Williamson; Actress and Singer Karen Mok; Chair of British Fashion Council Development Committee, Hilary Riva and Head of Global Brand Management Triumph, Suzanne McKenna.



The panel declared Nikolay Bojilov from Bulgaria the winner of this year’s global final of the Triumph Inspiration Award with the design “Morphology”, shown below:



Despite strong competition from 26 other countries and much deliberation by the judging panel, Nikolay Bojilov scooped the prize of €15,000 and the phenomenal opportunity to work alongside Triumph’s design team in Hong Kong to turn their winning showpiece into a commercial garment, to be sold as a limited edition piece in Triumph’s stores and selected outlets worldwide from summer 2011.

The 2nd place was awarded to Amaya Cárcamo from Spain with “Wood Sensation” who won €10,000:


The 3rd place winner Ludovico Loffreda from Italy with “Memory of Shape” who won € 5,000:


This was the third year that Triumph International, one of the world’s leading lingerie and shapewear brands, invited young students from world-renowned fashion schools to prove their creativity in an international design contest of the highest calibre.

By interpreting the design theme “Shape Sensation”, upcoming talent took centre stage with their multinational view of shapes and silhouettes. This year, for the first time, a one-piece design was allowed to be entered instead of only a two-piece bra and briefs, but the big goal remained the same: win over the jury with the inspiration and creativity of a unique showpiece.

Here are the other finalists, modeled by Helena Christensen, each of which took first place in their individual country competitions.

below left: Kao Tsai Hsuan - GEOMETRY - Shih Chien University Fashion Design Department
below right: Tovah Cottle - BODY ARCHITECTURE - MSIT


below left: Phan Thi Cam Tu - PREGNANCY -Architecture Univerity of HCMC
below right: Isolde Mayer - STONE COLD - Fashion Institute of Vienna


below left: Caroline du Chastel - CUBISTERY - Atelier Lannaux, Bruxelles
below right: Justin Singh - SANDS OF TIME - George Brown College


below left: Xu Yi -FEI(extraordinary)/FEI (fly) - Sichuan Fine Art Institute
below right: Dennis Lyngsø - MOTH METAMORPHOSIS - Teko


below left: Liisa Nieminen -90-60-90- Aalto University School of Art and Design, Helsinki
below right: Sofie Insam - SHAPE EXPLOSION - Istituto Marangoni, Paris et Milan


below left: Manuel Marte - HUMAN ANIMAL SYMBIOSIS -ESMOD, Munich
below right: Eugenia Dimopoulou - FLESH -A.K.T.O., Greece


below left: Da Da Sze Man Tang - DIAMONDDRESS -FAST- ITCSS
below right: Yadvi Aggarwal - BACK TO THE BASICS -Pearl Academy of Fashion


below left: Suzanne Ferncombe - IF I WERE A BOY? -Limerick School of Art & Design, Ireland
below right: Karine Feldman - QUEEN ELIZABETH THE 1ST -‘Shenkar’ College of engineering and design, Israel


below left: Ayumi Kawase - A BRASSERIE IMAGING A FOREST -Bunka Fashion College
below right: Peet Dullaert - SENSIMOTION -ArtEZ


below left: Anette Boman - SENSATIONALLY SHAPED INFORMATION -ESMOD, Oslo
below right: Cristina Homen de Gouveia - BODY FRAME -Faculdade de Arquitectura da Universidade Técnica de Lisboa, Portugal


below left: Grace Eliana Sugiarto - PRESERVED BEAUTY -Raffles Design Institute, Singapore
below right: Elin Engström - IMAGOMANIA -The Swedish School of Textiles, Borås


below left: Benjamin Blarer - HIT-OR-MISS -FHNW-HGK Basel Institute Fashion-Design
below right: Isabella Newell - CIRCUS FREAKS - Central Saint Martins:



Overall global TIA winner Bojilov not only won the prize of Euros 15,000 (with the 2nd and 3rd places winning Euros 10,000 and Euros 5,000 respectively) but also the opportunity to work alongside Triumph’s design team in Hong Kong to turn their winning showpiece into a commercial garment to be sold as a limited edition piece in Triumph’s stores and selected outlets worldwide from September 2011.

Triumph International is one of the world’s largest underwear manufacturers. The company enjoys a presence in over 120 countries with its core brands Triumph®, sloggi®, Valisère® and HOM®. Triumph employs more than 37,500 people; in 2008, the company achieved a turnover of CHF 2.37 billion.

images and info courtesy of Triumph International
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